• ·        Dagmar Hochová, Zadním Východem, Ivan Foletti ed., Prague 2008, 30 p.

• ·        Jan Bierhanzl, Ivan Foletti, Je ne suis pas fou! La création comme relation à l'autre dans les dessins de Josiane Develay et les textes d’Yves Aulas, Lyon 2010, 80 p.

• ·        Jacqueline Champeaux, Serena Romano, Ivan Foletti et al., L’Histoire de Rome par la peinture, Paris 2010 [English edition: The History of Rome in Painting, London – New York 2011], 496 p.

• ·        Da Bisanzio alla Santa Russia. Nikodim Kondakov (1844–1925) e la nascita della storia dell'arte in Russia, Rome 2011, 320 p. [English edition: From Byzantium to the Holy Russia. Nikodim Kondakov (1844–1925) and the Invention of the Icon, Rome 2017]

Reviews:

• a)  Miguel Cortés Arrese, in Bizantinistica. Rivista di Studi Bizantini e Slavi, XIII (2011), p. 278

• b) Giuliano Melzi, in Iconecristiane, http://www.iconecristiane.it/2012/02/22/da-bisanzio-alla-santa-russia-nikodim-kondakov-1844-1925-e-la-rinascita-della-storia-dellarte-in-russia-di-ivan-foletti/.

• c)  Adriano Roccucci, in Il mestiere di storico, IV/2 (2012), p. 219.

• d) Maria Campatelli, in Orientalia Christiana Periodica, 78 (2012), pp. 517–519.

• e)      Olga Medvedkova, in Cahiers du monde russe [On line], 53/4 (2012), pp. 754–756.

• f)      Ludmila Khruskova, in Vizantijskij Vremenik, 74/99 (2015), pp. 371–374.

• ·        Ivan Foletti, Manuela Gianandrea, Zona liminare. Il nartece di Santa Sabina, le sue porte e l’iniziazione cristiana a Roma, Roma 2015.

• ·        Ivan Foletti, Manuela Gianandrea, The 5th Century in Rome. Art, Liturgy and Patronage, Roma 2017.

• ·        Oggetti, reliquie, migranti. La basilica Ambrosiana e il culto dei suoi santi (386–972), Rome 2018. [English edition: Objects, Relics, Migrants. The Basilica Ambrosiana and the Cult of it Saints, Rome 2020]

• ·        Ženy u oltáře, nikdy? [Women at the Altar, never?], Brno 2018, 80 p.

• ·        Ivan Foletti, Katharina Meinecke, Jupiter, Kristus, Chalífa: Obrazy mocných a zrození středověku (IV.–VII. století), Brno 2019.

• ·        Ivan Foletti, Adrien Palladino, Byzantium or Democracy? Kondakov’s Legacy in Emigration: the Institutum Kondakovianum and André Grabar (1925–1952), Rome 2020.

• ·        Ivan Foletti, Zuzana Frantová, Mediální revoluce: Christianizace Evropy, Ravenna pátého století a jak obrazy mění dějiny, Brno 2021.

• ·        Ivan Foletti et al., Je (středověk) doba temna?, Brno 2021.

• ·        Ivan Foletti, Karolina Foletti, Adrien Palladino, Potenciál Migrace, Brno 2022.

• ·        Ruský Imperializmus. Umění, věda a náboženství ve službách režimů (1801–2022), Brno 2023.

• ·        Ženy u oltáře. Matka Boží a gender v raném křesťanství, Brno 2023.

• ·        Ivan Foletti, Adrien Palladino, Ruben Campini, Klára Doležalová, Annalisa Moraschi, The Othering Gaze: Imperialism, Colonialism, and Orientalism in Studies on Medieval Art in the Southern Caucasus (1801–1991), Brno/Rome: Viella 2023.

• ·        Russian Imperialism and the Medieval Past, York 2024.

• ·        Ivan Foletti, Margarita Khakhanova, Armenophobia. Art, Scholarship, and Russian Colonial Policy at the Turn of the Twentieth Century, Brno/Turnhout 2024.

• ·        Ivan Foletti, Adrien Palladino, Mýty o Notre-Dame. Gotika, imperialismus a národ, Brno 2025.

• ·        L’imperialismo russo e il mito di Bisanzio, Rome 2025.

• ·        Fons Vitae. Baptême, Baptistères et rites d'initiation (IIe–VIe siècle) (Actes de la journée d’études, Université de Lausanne, 1er décembre 2006), Ivan Foletti, Serena Romano eds, Rome 2009, 176 p.

Reviews:

• a) Pascal Collomb, in Revue d’Histoire Ecclésiastique, (2010–2011), pp. 170–173.

• b) Marie-Pasquine Subes, in Les Cahiers de Saint-Michel de Cuxa, LXI (2010), pp. 256–257.

• c) David Parson, in Journal of Medieval Archaeology, 54 (2010), pp. 484–485.

• ·        Figure et récit, Histoire d’un dialogue, sous la direction de Marco Praloran et Serena Romano; Gabriele Bucchi, Ivan Foletti, Marco Praloran and Serena Romano eds, Tavarnuzze 2009, 352 p.

• ·        La Russie et L’Occident. Relations intellectuelles et artistiques au temps des révolutions russes, Ivan Foletti ed., Rome 2010, 224 p.

Reviews:

• a) Antonello Venturi, in Il mestiere di storico, III/1 (2011), p. 150.

• b) Regula Zwahlen, in Theologische Revue 108/l (2012), pp. 82–83.

• ·        The Face of the Dead and the Early Christian World, Ivan Foletti ed., Rome 2013, 192 p.

Reviews:

• a)      Marina Montesano, in Il manifesto, giovedì 8 settembre 2013, p. 11.

• b)     Herbert L. Kessler, in Opuscula Historiae Artium, Supplementum 2013, pp. 138–140.

• ·        Byzantium, Russia and Europe, Opuscula Historiae Artium (Supplementum), Ivan Foletti ed., Brno 2013, 151 p.

• ·        Identité et mémoire: L’évêque, l’image et la mort, Nicolas Bock, Ivan Foletti, Michele Tomasi, Jean-Michel Spieser ed., Rome 2014.

Reviews:

• a)  Bernd Päffgen, Francia-Recensio 2016/1 Mittelalter – Moyen Âge (500–1500), http://www.perspectivia.net/publikationen/francia/francia-recensio/2016-1/ma/bock_paeffgen [13.04.2016].

• b)     Véronique Beaulande-Barraud, in Revue d’Histoire Ecclésiastique (2015), pp. 227–228.

• ·        Circulation as a Factor of Cultural Aggregation: Relics, Ideas and Cities in the Middle Ages, Klára Benešovská, Ivan Foletti and Serena Romano eds, Brno 2014 / Convivium, I, 1 (2014), 224 p.

• ·        The antique Memory and the Middle Ages, Ivan Foletti and Zuzana Frantová eds, Rome 2015, 176 p.

Reviews:

• a)      Jeannet Hommers, in Francia-Recensio, 2016/2, www.perspektivia.net [13.08.2016].

• ·        Many Romes. Studies in honnor of Hans Belting, Ivan Foletti and Herbert L. Kessler eds / Conivium, II, 1 (2015), 296 p.

• ·        Convivium II, 2, (2015), Ivan Foletti and Michele Bacci eds, 184 p.

• ·        The Medieval South Caucasus Artistic Cultures of Albania, Armenia and Georgia, Ivan Foletti, Erik Thunø eds, Brno 2016 / Convivium, Supplementum (2016), 226 p.

• ·        Milano allo specchio: Da Costantino ai Visconti, l’autopercezione di una capitale, Ivan Foletti, Irene Quadri, Marco Rossi eds, Roma 2016, 176 p.

• ·        Survivals, revivals, rinascenze, Nicolas Bock, Ivan Foletti, Michele Tomasi eds, Rome 2017.

• ·        Ritualizing the City: Collective Performances as Aspects of Urban Construction, Ivan Foletti, Adrien Palladino eds, Rome 2017, 228 p.

• ·        Medieval Art in Prison / Xavier Barral, Ivan Foletti eds, Brno 2017 / Convivium IV, 1 (2017), 175 p.

• ·        From Nikodim Kondakov to the Hans Belting Library, Ivan Foletti, Veronika Tvrzníková, Francesco Lovino eds, Brno 2018, 151 p.

• ·        Re-thinking, Re-making, Re-living Christian Origins, Ivan Foletti, Manuela Gianandrea, Serena Romano, Elisabetta Scirocco eds, Rome 2018, 476 p.

• ·        Orient oder Rom? Prehistory, History and Reception of a Historiographical Myth (1880—1930), Ivan Foletti, Francesco Lovino eds, Rome 2018, 186 p.

• ·        Migrating Art Historians on the Sacred Ways, Ivan Foletti, Katarína Kravčíková, Sabina Rosenbergová, Adrien Palladino, eds., Brno-Rome 2018, 468 p.

• ·        Discovering the Art of Medieval Caucasus (1801-1945), Ivan Foletti, Stefano Riccioni eds, Venice 2018, 139 p.

• ·        Movement, Images and Iconic Presence in the Medieval World, Hans Belting, Matin Lešák, Ivan Foletti eds / Convivium, VI, 1 (2019), Brno-Turnhout 2019, 167 p.

• ·        Inventing Medieval Czechoslovakia 1918–1968. Between Slavs, Germans, and Totalitarian Regimes, Ivan Foletti, Adrien Palladino eds, Brno-Rome 2019, 200 p.

• ·        The Notion of Liminality and the Medieval Sacred Space, Klára Doležalová, Ivan Foletti eds / Conivium, Supplementum (2019), Brno-Turnhout 2019.

• ·        Transformed by Emigration. Welcoming Russian Intellectuals, Scientists, and Artists (1917–1945), Ivan Foletti, Karolina Foletti, Adrien Palladino eds, / Conivium, Supplementum (2020), Brno-Turnhout 2020).

• ·        Objects Beyond the Senses. Studies in Honor of Herbert L. Kessler, Philippe Cordez, Ivan Foletti eds, / Conivium, VIII, 1 (2021), Brno-Turnhout 2021), 214 p.

• ·        Means of Christian Conversion in Late Antiquity Objects, Bodies, and Rituals, Klára Doležalová, Ivan Foletti, Katarína Kravčíková, Pavla Tichá eds, / Conivium, Supplementum (2021), Brno-Turnhout 2021), 188 p.

• ·        Central Europe as a Meeting Point of Visual Cultures. Circulation of Persons, Artifacts, and Ideas. In honour of Jiří Kroupa, edited by Ivan Foletti, Ondřej Jakubec and Radka Nokkala Miltová, Rome 2021, 248 p.

• ·        Pre-Modern “Pop Cultures”? Images and Objects Around the Mediterranean (350-1918 CE), Ivan Foletti, Zuzana Frantová, Adrien Palladino eds, Madrid 2022 (=Eikon/Imago 11, 2022).

• ·        Dynamics of Medieval Landscape. Cultural Shaping of the Enviroment, edited by Ivan Foletti, Martin F. Lešák and Adrien Palladino, Brno-Turnhout 2022 (=Convivium IX, 1).

• ·        Poutní umění ve středověku jako tělesný zážitek. Krajina, poutník a poklad [Pilgrimage art in the Middle Ages as a physical experience. Landscape, pilgrim and treasure], Ivan Foletti, Martin F. Lešák eds, Brno 2022.

• ·        A Radical Turn? Reappropriation, Fragmentation, and Variety in the Postclassical World (3rd–8th Centuries), Ivan Foletti, Marie Okáčová, Adrien Palladino eds, Brno-Turnhout 2022 (= Convivium, Supplementum II/2022)

• ·        Průvodce rozvášněným Znojmem. Průvodce městem, jeho uměním a příběhem. Jan Galeta, Ivan Foletti, Tomáš Valeš eds, Brno 2022.

• ·        Re-Thinking Late Antique Armenia. Historiography, Material Culture, and Heritage, Adrien Palladino, Ruben Campini, Annalisa Moraschi, Ivan Foletti eds, Brno/Turnhout 2023 (= Convivium, Supplementum I/2023)

• ·        Contextualizin Conques. Imaginaries, Narratives & Geographies, Ivan Foletti, Cynthia Han, Kris N. Racaniello, Cécile Voyer & Adrien Palladino eds, Brno/Turnhout 2023 (= Convivium, Supplementum III/2023)

• ·        Jana Černocká, Ivan Foletti, Adrien Katarína Šimová, Smrtí smrt překonat, Brno 2023.

• ·        Michele Bacci, Ivan Foletti, From Fragmentation to Integration: A New Perspective on the Material Cultures of the Southern Caucasus, Rome 2023.

• ·        Opravdový středověk? Umění & ideologie v 19. Století, Ivan Foletti, Zuzana Urbanová eds, Brno 2024.

• ·        Conques (801‒2024). Inventions and Reinventions, Ivan Foletti, Adrien Palladino eds, Rome 2025.

• ·        Je středověk moderní? Umění, avantgardy a -ismy, Ivan Foletti, Kateřina Jůzlová, Karolina Foletti eds, Brno 2025.

• ·        Nikodim Kondakov, Iconographie de la Mère de Dieu, vol. III, Ivan Foletti editorship and introduction, Rome 2011, lv and 605 p.

Reviews:

• a)      M. Berger, in Orientalia Christiana Periodica, 77/II (2011), pp. 554–557.

• b)     Nicolas Egender., in Irénikon, 4 (2011), pp. 702–703.

• c)      Judith Soria, in Histara les comptes rendus, (2012-10-29), http://histara.sorbonne.fr/cr.php?cr=1423&lang=fr (ISSN 2100-0700).

• d) E. Ju. Artem’ev, S. Ju. Akišin, in Vestnik Ekaterinbugskoj duchovnoj seminarii, 2 (2011), pp. 302–306.

• e)      Lise Constant, Revue d’Histoire Ecclésiastique, 3–4/107 (2012), pp. 1244–1245.

• f)      Olga Medvedkova, in Cahiers du monde russe [On line], 53/4 (2012), pp. 754–756.

• g) Jitka Hájková, in Byzantinoslavica, 72/1–2 (2014), pp. 397–400.

• ·        Nikodim Kondakov, Iconografia della Madre di Dio, vol. I, translation, edition, critical and bibliografical update Ivan Foletti, Rome 2013.

Reviews:

• a)  Luca Scarlini, “Le immagini cristiane chiavi del presente”, in Il Giornale dell’Arte, 348 (dicembre 2014), p. 25.

• b) Catherine Vanderheyde, Le Moyen Âge. Revue d’histoire et de philologie, 3–4/CXXI (2015).

• ·        Herbert L. Kessler, Ani Bůh, ani člověk. slova, obrazy a středověká úzkost z výtvarného umění. Herbert L. Kessler, Ivan Foletti, Veronika Tvrzníková eds., Brno 2016, 140 p.

• ·        Nikodim Kondakov, The Current State of Russian Folk Icon Painting, Ivan Foletti, Adrien Palladino, Zuzana Urbanová eds, Brno/Rome 2022.

• ·   “The Last Kondakov. Rediscovery of a manuscript”, Orientalia Christiana Periodica, 74/2 (2008), pp. 495–502.

• ·   “L’Ikonografia Bogomateri’ e l’ultimo Kondakov. Cronaca del ritrovamento del manoscritto Vaticano”, Kunstchronik, 12 (2008), pp. 611–616.

• ·   “Sicut in caelo et in terra. Osservazioni sulla cathedra vacua della basilica sistina di Santa Maria Maggiore a Roma”, Iconographica, 10/11 (2011/2012), pp. 33–46.

• ·   “Synthèses et nouveautés autour du ‘premier art chrétien’”, Perspectives, 2 (2012), pp. 159–164.

• ·   “Del vero volto di Ambrogio. Riflessioni sul mosaico absidale di Sant’Ambrogio a Milano in epoca Carolingia”, Arte Lombarda, 57/3 (2012), pp. 5–14.

• ·   Ivan Foletti, Gilles Monney, “Of holes and a holy man: New discoveries in the Silivri-Kapi mausoleum in Istanbul”, Kunstchronik, 4 (2013), pp. 178–182.

• ·   Ivan Foletti, Irene Quadri, “L’immagine e la sua memoria L’abside di Sant’Ambrogio a Milano e quella di San Pietro a Roma nel Medioevo”, in Zeitschrift für Kunstgeschichte, 76 (2013), pp. 475–492.

• ·   “Venezia, Bisanzio e Nikodim Konkadov: relazioni paradossali”, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, Xavier Barral i Altet, Michele Gottardi, Marina Niero eds, Rivista di scienze, lettere ed arti dell’Ateneo Veneto, anno CC, terza serie, 12/1 (2013), pp. 181–192.

• ·   Ivan Foletti, Irene Quadri, “Roma, l’Oriente e il mito della Traditio Legis”, in Byzantium, Russia and Europe, Opuscula Historiae Artium (Supplementum), Ivan Foletti ed., Brno 2013, pp. 16–37.

• ·   Chiara Croci, Ivan Foletti, “Nuove considerazioni su una catacomba dimenticata: San Severo alla Sanità e la circolazione delle reliquie milanesi”, in Kunstchronik, 67/6 (2014), pp. 309–316.

• ·   “Le porte lignee di Santa Sabina all’Aventino: tra liturgia stazionaria e funzione iniziatica (Il nartece di Santa Sabina, II)”, in Hortus Artium Medievalium, 20 (2014), pp. 209–219.

• ·   “Germigny-des-Prés, il Santo Sepolcro e la Gerusalemme celeste”, in Convivium I, 1 (2014), pp. 32–49.

• ·   “Nikodim Kondakov et Prague Comment l’émigration change l’histoire (de l’art)”, in Opuscula Historiae Artium, 62/2 (2014), pp. 2–11.

• ·   “Dio da dio. La maschera di Cristo, Giove Serapide nel mosaico di Santa Pudenziana”, Convivium, II, 1 (2015), pp. 2–15.

• ·   “Hans Belting, a bridge to many Romes”, in Convivium, II, 1 (2015), pp. 13–15.

• ·   “L’Icona, una costruzione storiografica? Dalla Russia all’Occidente, la creazione di un mito”, in Annali di critica d’arte, XII (2016), pp. 175–194.

• ·   “The Russian View of a ‘Peripheral’ Region. Nikodim P. Kondakov and the Southern Caucasus”, in Convium, Supplementum (2016), pp. 2–17.

• ·   “Le fléau des hérétiques. Ambroise de Milan, l’exclusion « ethnique » et l’autel d’or de la basilique Ambrosiana”, in Bulletin Monumental (2017), pp. 99–112.

• ·   “La firma d’artista, i miti vasariani e Woulvinus magister phaber”, Venezia Arti, 26 (2017), pp. 45–58.

• ·   Francesca Dell’Acqua, Ivan Foletti, Vincenzo Gheroldi, Beatrice Leal, Sara Marazzani & John Mitchell, “Echoes of Milan in ninth-century Langobardia Minor? Preliminary findings on the painted programme of Sant’Ambrogio alla Rienna, Montecorvino Rovella (Salerno)”, Convivium IV, 2 (2017), pp. 202-207.

• ·   Ivan Foletti, Sabina Rosenbergová, “Holy Site, Place of Memory or Art Object? Some considerations on Mont Saint-Michel on the “(très) longue durée” (708 [?] –2017)”, Opuscula Historiae Artium, 65/2 (2017), pp. 118-133.

• ·   “De la liminalité à la presence. Les coupoles milanaises, leurs décorations et la naissance du Moyen Âge”, Ètudes de Lettres 2018, pp. 125-144.

• ·   “Vivre le pèlerinage (médiéval): une expérience corporelle”, Convivium V/2, pp. 137–150.

• ·   Ivan Foletti, Pavel Rakitin, “From Russia with Love. The First Russian Studies on the Art of the Southern Caucasus”, Venezia Arti, 27 (2018), pp. 15–33.

• ·   Ivan Foletti, Stefano Riccioni, “Inventing, Transforming and Discovering the Southern Caucasus: Some Introductory Observations”, Venezia Arti, 27 (2018), 7-14.

• ·   Ivan Foletti et al., “Wiggle Matching Analysis of the Doors of Santa Sabina in Rome”, RIHA Journal, 0204 (2019), pp. 1-7.

• ·   “Dancing with Sainte Foy. Movement and the Iconic Presence”, in Convivium VI, 1, pp. 70–87.

• ·   Ivan Foletti, Katerína Kravčíková, “Closed Doors as (Constructors of) Images: from Santa Sabina in Rome to Notre Dame du Puy”, in Convivium Supplementum (2019), pp. 24–45.

• ·   Klára Doležalová, Ivan Foletti, “Liminality and Medieval Art: from Space to Rituals and to the Imagination; an Introduction”, in Convivium Supplementum (2019), pp. 10–21.

• ·   Ivan Foletti, Adrien Palladino, “Les eaux supérieures dans la cosmologie chrétienne, entre historiographie et matérialité. Un hommage à André Grabar (1896–1990)”, Cahiers Archéologiques, 59 (2022), pp. 5–19.

• ·   Ivan Foletti, Sabina Rosenbergová, “Rome between Lights and Shadows. Re-considering ‘Renaissances’ and ‘Decadence’ in Early Medieval Rome, Convivium, Supplementum II (2020), pp. 16–31.

• ·   “After Kondakov: the Heritage of Russian Emigration in the Czech Lands”, Convivium, Supplementum I (2020), pp. 11–19.

• ·   Ivan Foletti, Pavel Rakitin, “Armenian Medieval Art and Architecture in Soviet Perception: a logue durée Sketch”, in Eurasiatica. Quaderni di Studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale, Edizioni Ca' Foscari 7 (2020), pp. 113–150.

• ·   Philippe Cordez, Ivan Foletti, “A Convivium with Herbert L. Kessler. Sharing Objects, Sensory Experiences, and Medieval Art History”, Convivium, 8/1 (2021), pp. 16–25.

• ·   “Belting Before Belting From Moscow, to Constantinople, and to Georgia”, in Convivium, Supplementum/1 (2021), pp. 18–25.

• ·   Ivan Foletti et al., “‘Romanesque’ Conques as a Neo-Carolingian Project, in Convivium, VIII, 2 (2021), pp. 168–174.

• ·   Ivan Foletti, Adrien Palladino, “Nomadic arts in emigration: Russian diaspora, Czechoslovakia, and the broken dream of a borderless Europe (1918-45)”, Journal of Art Historiography, 25 (2021), 13 p.

• ·   Gajane Achverdjan, Ivan Foletti, “Purifying Body and Soul. Late Antique Combs, Their Use and Visual Culture, in Means of Christian Conversion in Late Antiquity”, in Convivium Supplementum 3 (2021), pp. 78–97.

• ·   “The Tangible and the Invisible: from Faces to Concepts, and to Malevich”, Codex Aqvilarensis 37/2021, pp. 305–318.

• ·   Ivan Foletti, Martin F. Lešák, “Reconsidering ‘Romanesque’ Art Through the Pilgrim’s Body: The Migrating Art Historians Project Four Years Later”, Peregrinations Journal of Medieval Art and Architecture, VIII, 2 (2022), pp. 43–67.

• ·   “Spaces for miracles: constructing sacred space through the body, from Conques to the Mediterranean, and beyond”, Convivium, 9, 1 (2022), pp. 169–185.

• ·   Ivan Foletti, Marie Okáčová, “An Age of Fragmentation. Evidence from Late Antique Literary, Visual, and Material Cultures”, Convivium Supplementum 2 (2022), pp. 24–47.

• ·   Ivan Foletti, Marie Okáčová, Adrien Palladino, “A Radical Turn? ‘Late Antique’ Anxiety, Rupture, and Creative Continuity”, Convivium Supplementum 2 (2022), pp. 10–21.

• ·   Ivan Foletti, Zuzana Frantová, Adrien Palladino, “Premodern Popular Culture: Between Democratization and Marginalization”, Eikón/Imago 11 (2022), pp. 1–8.

• ·    “How to write about images from the medieval world: André Grabar and his Byzantium –the case of L’Empereur dans l’art byzantin (1936)”, Word & Image 39/1 (2023), pp. 99–110.

• ·   Ivan Foletti, Martin Lešák, “Du désert au Paradis: Conques et son environnement prémoderne”, Les cahiers de saint-michel de Cuxa, 55 (2024), pp. 97–104.

• ·   “Decolonizing the Premodern South Caucasus. Historiography, Images, and Experiences”, The Art Bulletin 107/2 (2025), pp. 8–25.

• ·   Ivan Foletti, Adrien Palladino, “Le mythe de l’«icône»: anachronisme et désir moderniste”, Perspective, 2 (2025), pp. 131–148.

• ·   “Alexandr Něvský a Stalin”, Studia historica Brunensia, 72/1 (2025), pp. 223–232.

• ·   Ivan Foletti, Margarita Khakhanova, “Visualizing Russian Imperialism Neo-medieval Churches in the 19th-century South Caucasus”, Umění/Art, 3/73 (2025), pp. 325–335.

• ·   Ivan Foletti, Ondřej Jakubec, “Introduction: A Long Middle Ages or an Eternal Phoenix?”, Umění/Art, 3/73 (2025), pp. 199–214.

• ·   Ivan Foletti, Adrien Palladino, “A Case For Historiography. No “Medieval” Art Without It”, Convivium, 2/12 (2025), pp. 184–188.

• ·   Ivan Foletti, Margarita Khakanova, “Alexei Lidov. A Search for Freedom”, Convivium, 2/12 (2025), pp. 190–194.

• ·   “Spaces and Objects of Initiation Expanding Our Perceptions of the Visual and Material Cultures of Late Antique Baptism”, Iconographica, 25 (2025), [accepted].

• ·   “Ambroise de Milan et le baptistère des Orthodoxes de Ravenne”, in Fons Vitae. Baptême, Baptistères et rites d'initiation (IIe–VIe siècle) (Actes de la journée d'études, Université de Lausanne, 1er décembre 2006), Ivan Foletti et Serena Romano eds, Roma 2009, pp. 121–155.

• ·   “Kondakov a ruská ikona: Kondakovova analýza soudobého ikonopisectví a její vliv na ruskou společnost”, in 2. ročník konference studentů doktorských programů dějin umění v České republice. Masarykova univerzita, Luba Hédlová, Robert Mečkovský, Jitka Matulková eds, Brno 2009, pp. 6–13.

• ·   “‘Mon seul regret: être né en Russie’. N. P. Kondakov et ses relations avec l’Occident’”, in La Russie et l’Occident. Relations intellectuelles et artistiques au temps des révolutions russes, Ivan Foletti ed., Roma 2010, pp 31–51.

• ·   “Il Nepomucenum: Roma, anno 1929. Una lettura ‘problematica’ della genesi dell’architettura del collegio”, in Dal Bohemicum al Nepomuceno. La cultura ceca e la formazione sacerdotale in un contesto di scontri nazionalisti e di coesistenza, Tomáš Parma ed., Olomouc 2011, pp. 141–166.

• ·   “Refondateur de Milan et saint protecteur : la figure de Saint Ambroise”, in Actualiser le passé: figures antiques au Moyen Âge, Jean-Claude Mühlethaler ed., Lausanne 2012, pp. 95–112.

• ·   “Attrazione reciproca: la riscoperta dell’identità nazionale russa, le icone e le avanguardie”, in Artisti russi tra Otto e Novecento. Atti delle conferenze e delle manifestazioni, Veronica Provenzale ed., Ascona 2012, pp. 28–41.

• ·   “Physiognomic Representations as a Rhetorical Instrument: ‘Portraits’ in San Vittore in Ciel d’Oro, the Galla Placidia ‘Mausoleum’ and San Paolo Fuori le Mura”, in The Face of the Dead and the Early Christian World, Ivan Foletti ed., Roma 2013, pp. 61–83.

• ·   “Tra classicismi e avanguardie: la ricezione dell’estetica bizantina in Francia e in Russia a cavallo tra Otto e Novecento”, in Valentina Cantone, Silvia Pedone, ΦΑΝΤΑΖΟΝΤΕΣ. Visioni dell'arte bizantina, Padova 2013, pp. 175–255.

• ·   “Řím, rok 1929: Nepomucenum Kritická analýza stavby koleje”, in Česká kolej v Římě: od Bohemica k Nepomucenu: 130 let existence české kulturní a vzdělávací instituce, Tomáš Parma ed., Kostelní Vydří 2014, pp. 147–170.

• ·   “Le tombeau d’Ambroise: cinq siècles de construction identitaire”, in Identité et mémoire: L’évêque, l’image et la mort, Nicolas Bock, Ivan Foletti, Michele Tomasi eds, Rome 2014, pp. 73–101.

• ·   “Bisanzio, la Russia medievale e l’identità figurativa russa nell’Ottocento”, Russia, l’impero. Saggi di storia e di cultura, Francesco Randazzo ed., Tricase 2014, pp. 281–302.

• ·   “Il trionfo della figura: Sant’Aquilino, San Vittore in Ciel d’Oro a Milano e la retorica cristiana del V secolo”, in Medioevo Natura e Figura, Arturo Carlo Quintavalle ed., Milano 2015, pp. 17–25.

• ·   Ivan Foletti, Valentine Giesser, “Il IX secolo”, in Le committenze pontificie a Roma nel Medioevo, Mario D’Onofrio ed., Roma 2016, pp. 219–237.

• ·   “Maranatha: spazio, liturgia e immagini nella basilica dei Santi Cosma e Damiano sul Foro Romano”, in Setkávání. Studie o středověkém umění věnované Kláře Benešovské, Jan Chlíbec, Zoë Opačić eds, Praha 2015, pp. 68–86.

• ·   “Des femmes à l’autel? Jamais! Les diaconesses (veuves et prêtresses) et l’iconographie de la Théotokos”, in Féminité et masculinité altérées: Transgression et inversion des genres au Moyen Age, Fanny Abbot, Eva Pibiri éds, Firenze 2016, pp. 51–92.

• ·   “Il ciborio di Sant’Ambrogio tra passato (e futuro). Un monumento perno nella ricezione e nella costruzione dell’identità figurativa Milanese”, in Milano allo specchio: Da Costantino ai Visconti, l’autopercezione di una capitale, Ivan Foletti, Irene Quadri, Marco Rossi eds, Roma 2016, pp. 81–110.

• ·   “Poslové, prostředníci a ochránci. Andělé v pozdní antice a raném středověku”, Šumění andělských křídel. Anděl ve výtvarném umění od středověku po současnost, Olomouc 2017, pp. 26–33.

• ·   “The British Museum Casket with scenes of the Passion: the Easter Liturgy and the apse of St. John Lateran in Rome”, in Ivan Foletti, Manuela Gianandrea, The Fifth Century in Rome: Art, Liturgy, Patronage, Rome 2017, pp. 139–159.

• ·   “Vědeckost jako pozitivistická chiméra. Dějiny umění, Nikodim Kondakov a Rusko 19. století”, in Umění a věda. Sborník z 5. sjezdu historiků umění, Rostislav Švácha, Sabina Soušková, Anna Šubrtová eds, Praha 2017, pp. 46–61.

• ·   Irene Quadri, Ivan Foletti, “Un dialogo inevitabile: l’ambone palinsesto di Sant’Ambrogio a Milano”, in Survivals, revivals, rinascenze. Studi in onore di Serena Romano, Nicolas Bock, Ivan Foletti, Michele Tomasi, Rome 2017, pp. 307–332.

• ·   “Santificando uomini e campagne. Santa Fede di Conques in processione”, Reliquie in processione nell’europa medievale: arte, paesaggio, liturgia, Vinni Lucherini, Rome 2018, pp. 63–78.

• ·   “Nikodim Kondakov, Byzantium, Russia, and Czechoslovakia. Art history as link between East and West”, in From Nikodim Kondakov to the Hans Belting Library: byzantine Studies as a bridge between the Worlds, Ivan Foletti éd., Brno 2018, pp.18–37.

• ·   “L’exposition des icônes de 1913 à Saint-Pétersbourg: la découverte des origines chrétiennes russes”, in Re-thinking, Re-making, Re-living Christian Origins, Ivan Foletti, Manuela Gianandrea, Serena Romano, Elisabetta Scirocco eds., Rome 2018, pp. 323–330.

• ·   “Migrating Art Historians. Objects, Bodies, and Minds”, in Migrating Art Historians on the Sacred Ways, Ivan Foletti, Katarína Kravčíková, Sabina Rosenbergová, Adrien Palladino, eds., Brno-Rome 2018, pp. 27–57.

• ·    “Liminality: Space and Imagination”, in Migrating Art Historians on the Sacred Ways, Ivan Foletti, Katarína Kravčíková, Sabina Rosenbergová, Adrien Palladino, eds, Brno-Rome 2018, pp. 109–117.

• ·   “Meeting Saint Faith”, in Migrating Art Historians on the Sacred Ways, Ivan Foletti, Katarína Kravčíková, Sabina Rosenbergová, Adrien Palladino, eds., Brno-Rome 2018, pp. 295–315.

• ·   Ivan Foletti, Sabina Rosenbergová, “Walking to the Holy Mountain”, in Holy Mountains in the Hierotopy and Iconography of the Christian World, Moscow 2019, pp. 460–476.

• ·   “Milano capitale, tra Roma e Ravenna: circolazione di botteghe, di materiali e di idee”, Circolazione del mosaico e delle botteghe nell’alto adriatico, Rome 2019, pp. 103–123.

• ·   Ivan Foletti, Karolina Foletti, “Moskva nebo Řím? Byzantské „ikony“, Rusko-byzantská architektura a Translatium imperii?”, Moskva. Třetí Řím. Od ideje k symbolu, Pavel Boček eds, Prague 2019, pp. 185–199, 213–217.

• ·   Ivan Foletti, Adrien Palladino, “Medieval Art and Czechoslovakia. Between Nationalist Discourse and Transcultural Reality, and Introduction”, in Inventing Medieval Czechoslovakia 1918–1968. Between Slavs, Germans, and Totalitarian Regimes, Brno/Rome 2019, pp. 11–20.

• ·   Ivan Foletti, “Russian Inputs in Czechoslovakia: When Art History meets History. The Institutum Kondakovianum during the Nazi Occupation”, in Inventing Medieval Czechoslovakia 1918–1968. Between Slavs, Germans, and Totalitarian Regimes, Brno/Rome 2019, pp. 63–93.

• ·   Ivan Foletti, Katharina Schueppel, “‘Migrating Art Historians’: Making the Past an Experience”, in Kultur erben. Objekte — Wege — Akteure, Katharina Christa Schüppel, Barbara Welzel eds, Berlin 2019.

• ·   “A Singing Door: Images, Space and Sound in the Santa Sabina Narthex”, in Icon of Sound, Bissera Pentcheva ed., Stanford 2020, pp. 19–33.

• ·   “Quand l’histoire devient prétexte. Les cycles narratifs à Milan et Rome au Ve siècle”, in Histoires chrétiennes en images: espace, temps et structure de la narration, Sulamith Brodbeck, Anne-Orange Poilpré, Isabelle Marchesin and Ioanna Rapti eds, Paris 2021, pp. 135–152.

• ·   Ivan Foletti, Katharina Meinecke, “Faces and Bodies, Past and Present. From Serapis to Christ and the Caliph”, in Imagining the Divine: art in religions of Late Antiquity across Eurasia, Jas’ Elsner, Rachel Wood, London 2021, pp. 111–132.

• ·   “Present (and Past) through the Body. Pilgrimage as a tool for transforming time, and the Migrating Art Historians Project”, in Picturing the Present, Armin Bergmeier, Andrew Griebeler, Berlin 2022, pp. 199–219.

• ·   “The Marvelous Hierotopy of the Golden Altar in Milan. A Visual Constantinopolitan Fascination?”, in Icons of Space. Studies in Hierotopy and Iconography Festschrift in Honor of Alexei Lidov for His 60th Birthday, London 2021, pp. 175–186.

• ·   Ivan Foletti, Jan Klípa, “The Frescoes of the 12th-Century Rotunda at Znojmo: Between Historiography and Transcultural Perspectives, in Central Europe as a Meeting Point, I. Foletti, O. Jakubec, R. Nokkala Miltová eds, Rome 2021, pp. 17–52.

• ·   Ivan Foletti, Martin F. Lešák, Zrození pozdně antické avantgardy ve sv. Anežce za hradbami, in EDICE MATURANDUM, Brno 2022, pp. 35–46.

• ·   Ivan Foletti, “The Book on the Throne as Image of Orthodoxy in the Late Antique Mediterranean (and Beyond)”, in Le livre enluminé médiéval instrument politique, Vinni Lucherini, Cécile Voyer, Rome 2021, 13–32.

• ·   Ivan Foletti, Adrien Palladino, “Byzantium as a Political Tool (1657–1952) Nations, Colonialism, and Globalism”, in Byzantium: The Modern Reception of the Byzantine Empire, Markéta Kulhánková, Przemyslaw Marciniak eds, London 2023, pp. 45–66.

• ·   Ivan Foletti, Adrien Palladino, “Seeing the Sky or Experiencing the Waters? Initiatory Rituals and Liminal Places in Late Antiquity”, Air and Heavens in the Hierotopy and Iconography of the Christian World, Alexej Lidov ed., Moscow 2023.

• ·   Ivan Foletti, Pavel Rakitin, “Re-inventing late antique and early medieval Armenia in World War II Soviet Union”, Re-thinking late antique Armenia, Adrien Palladino et al. eds, Brno/Turnhout 2023, pp. 168–183.

• ·   Ivan Foletti, Margarita Khakhanova, “On the Road. At’eni Sioni in Pilgrims’ Eyes”, in Approaches to Sacred Space(s) in Medieval Subcaucasian Cultures, Michele Bacci et al. eds, Brno/Rome 2023, pp. 185–207.

• ·   Ivan Foletti, Katarína Kravčíková, “Obraz či koncept? Modely architktury v raném středověku (nejen) na Kavkaze”, in Od myšlenky k architektuře, Tereza Horáková, Veronika Řezníčková eds, Brno 2024.

• ·   “De l’objet au corps: la culture matérielle et visuelle ‘mobile’ dans l’initiation chrétienne (IVe–VIe s.)”, Bapte et baptisteries entre Antiquité tardive et Moyen Age, Béatrice Caseau, Lucia Maria Orlandi eds, Milan 2024, pp. 160–177.

• ·   “Russian Imperialism and Byzantium (1801–2023): Architecture, Visual Culture, and Scholarship”, Medieval Art, Modern Politics, William Diebold, ed, Berlin 2024, pp. 38-64.

• ·   Ivan Foletti, Marie Okáčová, “AVREA CONCISIS SVRGIT PICTVRA METALLIS. An Epistemological and Methodological Approximation of Early Christian. Multimedia Visuality (4th–7th century)”, in A Second Gaze Intertextuality and Transient Meaning in Roman Texts and Objects, Markus Kersten ed., Rome 2024, pp. 179–217.

• ·   Ivan Foletti, Margarita Khakhanova, “The Neo-Byzantine Style, Russia’s Imperial Desires,
  and the Wars (1855–1914)”, in A Byzantine Century. Political, Colonial, and National Uses of Neo-Byzantine Architecture, 1820s–1920s, Adrien Palladino ed., Brno/Turnhout 2025, pp. 164–180.

• ·   Veronika Džugan Hermanová, Ivan Foletti, “Meeting God in Seventh-Century Armenia. Monumental Painting in Lmbat and Talin in Liturgy and Beyond”, in Material Religion in Byzantium, Jas’ Elsner, Ine Jacobs, London / New York 2025, pp. 44–76.

• ·   Veronika Džugan Hermanová, Ivan Foletti, “Images of Orthodoxy or Political Compromise? Visual Representations in the Late Antique South Caucasus”, in Art and Power in Medieval Societies: Censorship, Propaganda and Public Service in the Eastern Mediterranean from Late Antiquity to the Ottoman Era, Mariana Bodnaruk ed., New York 2026 [accepted].

• ·   “The Russian Foundations of Byzantine Studies: before and around Kondakov”, in Handbook for the Modern Reception of Byzantium, Dimitra Kotoula ed., Oxford 2026 [accepted].

• ·   “An Initiatory Experience? The Doors and the Narrative Cycle of the Basilica of Sant’Ambrogio in Milan, 386 CE”, in Milan Imperial Capital and Christian Metropolis, Markus Löx, Florian Wöller eds, Berlin 2026 [accepted].

• ·   “Kondakov’s Legacy: Seminarium Kondakovianum and Interwar Czechoslovakia”, in Russian Art Studies amid European Schools: Intellectual History and Migration of Ideas, Moscow 2026 [accepted].

• “·       “André Grabar (Andrej Nikolajevič Grabar)”, Personenlexikon zur Christlichen Archäologie, Stefan Heid ed., Rome 2012, pp. 601–602.

• ·       Review of: “Milena Bartlová, Skutečná přítomnost, Praha 2012”, in Mediaevalia Historica Bohemica, 15, 1 (2012), pp. 89–95.

• ·       Review of: “Roma, Giuseppe (a cura di): I Longobardi del Sud. pp. 491 con 416 illustrazioni nel testo. Cm 24,5 x 28,5; ISBN 978-88-7689-252-3; Euro 120,00”, in Histara les comptes rendus (ISSN 2100-0700),

http://histara.sorbonne.fr/cr.php?cr=1411.

• ·       Review of: “Bilotta, Maria Alessandra: I Libri dei papi – La Curia, il Laterano e la produzione manoscritta ad uso del papato nel Medioevo (secoli VI–XIII). XXXII, 284; pl. 63 pages, ISBN: 978-88-210-0874-0, 70 €“, in Histara les comptes rendus (ISSN 2100-0700), link: http://histara.sorbonne.fr/cr.php?cr=2002.

• ·       Review of: “Otevři zahradu rajskou: Benediktini v srdci Evropy 800–1300/ [Jan Klípa, Vít Vlnas eds], Praha 2014” in Convivium, II, 2 (2015), p. 165–169.

• ·       Review: Enrica Neri Lusanna, ed., Le chiese di Montefollonico: Arte e storia. (Studi sulle Abbazie Storiche e Ordini Religiosi della Toscana 4.) Florence: Leo S. Olschki, 2019”. in Speculum, 96/1 (2021), pp. 243-245.

• ·       Review of: “Francesca Dell’Acqua Iconophilia: politics, religion, preaching, and the use of images in Rome, c. 6